- This is the Nobel Prize quality speakerstands(For American people and European people)-

天井 Ceiling
壁　Wall
床　Floor

■ Variation in the angular setup of the speakerstands - Part 2

The figures below provide a birds eye view of the room. You can set up the speakers more toward the center of the room or toward the outside of the room. However, if you configure the stand toward the outside, be careful not to come too close to making it parallel to the wall. Thats how an ordinary speakerstands sits. If its within range of a certain angle, consider it free. That means that the way the speakerstands faces can be changed freely. Because it is in a three-dimensional space, any time you change it, youll have to adjust the height as well. Its directly tied to the problem of having to reposition the horn to yourself or the outside. However, as explained in the previous section, if you set the speakers up at a steep angle, the sound from the horn will pass through the head of any human being sitting on the floor. You need some degree of angle. The shape of The JBL JRS115 is a trapezoid shape when viewed from above, and the horn tends to be toward the center in the speakerstands most natural setup. When the speaker body is not a trapezoid but is completely rectangular, the horn easily faces toward the outside, but the angle of the horn is not so important here. Considering that, those using the TOUR X, or the JBL JRX215 should decide the angle of the speakerstands by moving it.

But, this is a matter of the stands placement and height within a three-dimensional space. Its not very easy to imagine moving physical objects around in a 3D space, but if you use the measurements I have provided, youll find that its the easiest way to set up your speakerstands.

One of the most important things about these two ways of thinking is the problem of whether or not you set your speakers up at a steep angle as written above. Depending on what you choose, the speakerstands height will change. If your speakerstands is too short (If you havent pulled your speakerstands back from the sides of the room), the speakers will be too deep, and you won"t be able to align the ceiling point, and the height of the speakerstands will raise. There may also be a situation in which you have to pull the speakerstands more than 90cm toward you. In such a case, by attaching Sorbothane (sold separately) to the bottom of the speakerstands, you can raise the speaker stand by 10mm. Reference this for the stand setup for a different type of speakers. Sorbothane is used both for sound and to change the height of the speakerstands. Because its the same size as the speakerstands, application is extremely easy - just stick it to the bottom of the speakerstands.

When speakers are set toward the center of the room
When speakers are set toward the outside of the room

■ How to absorb the difference in reverberation between a concrete plate and the wall

The majority of walls in a modern house use cloth pasting. The echo from cloth and concrete plates differs greatly. Because of this, you may feel severe echo from the bottom. Control the echo by placing handkerchiefs or towels everywhere around the speakerstands, including directly underneath the speaker and in the space next to and around the speakerstands. It will suppress the large fluctuations in sound from the echo and the strong echoes coming from below. If youre using a handkerchief, place a few of them in difference locations under the speaker stand.

■ When using a 30cm woofer (JBL4312 [pictured], YAMAHA 1000m, or similar)

When using a 30cm woofer, you can place it on top of a 75cm by 75cm plate. For a 38cm woofer, please use a 90cm by 90cm plate. Though nothing holds a candle to the JBL 4312, even contenders like the JBL JRX215 or EV TOUR X, you can try out the power of the barrier if youve got a JBL 4312 or YAMAHA 1000M on hand with a 30cm woofer.

■ From here on, well venture into the acoustic theory of the ultimate solution for acoustics - the speakerstands.

Its nothing more than a simple concept. Anyone can understand the secret of the speakerstands.

Its so simple, in fact, that theres no need for an author to write even a single book on the acoustic theory of the speakerstands.

First, lets look at the figure below. Its a figure of a room represented by a rectangular prism or block. The room is just a regular room. It is what you have been brainwashed to believe is the worst possible environment for acoustics.

Well, lets cut out the area in the red circle in this figure and take a look at it in isolation in the second figure.

The figure below is the section inside the red circle. The angle of the figure remains unchanged.

■ What can you see in this shape?

It may seem like a silly question, but what can we gather from this shape? Its a horn shape. That means that its the only shape that doesnt generate standing waves.
This shape, the horn, is a shape that simultaneously collects and emits sound.
If you were a ninja, you could hide behind the ceiling, cut a hole in the tip, and listen in on all of the conversations in the room.
Basically, most of the sound in the room gets compacted in the corners.
Because this area is not open, sound becomes consolidated here, and the sound with the highest pressure gets discharged.
Its a sudden eruption from the horn into the room, and the mechanism in which the magic of the point begins to work.
To put the mechanism into action, you need only to introduce the speakerstands.

■ Which part of the shapes form is the sturdiest?

It may seem obvious, but its the tip of the horn - the section with the point. Since this is a room, there may be additional pillars for reinforcement behind the intersection of the three walls. This point is, of course, the sturdiest. This hardiest of areas receives all of the sound pressure. In essence, its where the rooms vibration will be minimal. In this ordinary house, its the only area that carries the strength of a typical commercial building.
The next sturdiest area is the line. It is often thought that the line plays a fairly big role, so it will always be second to the point. For exactly this reason, it holds the secret of the speakerstands.

■ How many of these shapes are within the confines of a room?

You can find out quickly by counting. There are 8. You can take advantage of those 8 horns naturally created by the shape of the room using the speakerstands.

■ The logic of how the final answer in acoustics takes full advantage of the 8 naturally occurring horns in a room.

Its ideal to use all 8 horns in a room; otherwise, the horns would go to waste, but there are lots of issues with living spaces. But if you use at least 6 of the available horns, you can achieve sound perfection. The four corners of the ceiling are usually open. If you match up the speakers on the speakerstands with the rear point, you can use 6 of the horns anywhere.

Thats all you need.

■The goal of using the speakerstands is to take advantage of the horns of the room.

■ Which of the points of the 8 horns builds the most sound pressure?

The horns behind the speaker do. The points of the horns in the spot closest to and behind the speakers are the ones that hold the secret of the speakerstands. When they function at full power, the remaining 6 horns activate simultaneously. In other words, they begin to work for us.

And with this stands, the moment that the point behind the speaker activates, the 8 horns begin to work, collecting and emitting sound, and as all the sound runs diagonally in the room, the barrier should be established by the continuous play with the other 7 points running throughout the room.
Basically, the other points follow the most important point behind the speaker and begin to work.
However, the configuration of the speakers requires meticulousness down to the millimeter. To achieve that, you need speakerstands precision.

■ Acoustics around the speaker (the most important)

The acoustics around the speaker and above the speakerstands are illustrated here. If theres only one thing in the room you pay attention to, notice the absence of flat and vertically swirling sounds. It is even more important to note that the sound emitted from the point behind the speaker, which houses the highest concentration of sound pressure and corresponds to the diaphragm, passes within the angle of the horn formed by the rooms walls and the speakers side plates and underplate, which is partially non-existent), and is released into the air as a whole. When this happens, a block prevents the smooth emission of sound from the underside. Therefore, you need a superior speakerstands.
The reason to match the side plates and underplate with the point is to create a potent horn. Its to pull out a sound using acoustics that seems like it comes from the sizable horn of an A7 or A5 as if it were nothing at all. And because the speakerstands turns every last corner of the room into a horn, the A7 doesnt stand a chance against it.

Below is a picture of the JBL JRX215 on top of the speaker stand.

The resonance of the upper plate moves diagonally toward the upper-back portion.

Resonance from the side plates moves diagonally toward the back upper portion.

The resonance of the side plates here moves diagonally toward the bottom while reverberating.

The side and bottom faces become the precise shape of the horn down to the millimeter toward the room’s corner, the point.

The bottom plate’s resonance moves diagonally forward toward the center of the room while reverberating.

The most important thing in the picture above is the thick, red arrow. It represents the direction of the sound emitted by the corners of the room, or the horn’s diaphragm.

The most important thing in the picture above is the thick, red arrow. The underplate of the speaker and the floor form the horn, and the speakers side plates and the wall form the horns point. Both the parts of sound and resonance that issue from the horn and swirl horizontally and vertically to the room are absolute zero.

When using the speakerstands, pay attention to how bountiful and magnanimous the horn becomes. It is the aim of the speakerstands to make you realize that the horn could not be so magnificent by only using a block.

The thick, black arrows call your attention to the area between the bottom of the speakers and the concrete plates in which reverberation continues around the speakerstands while the waves of sound heading to the upper center of the room are formed, and the reverberation between the side plates and the walls turn into the sound waves moving toward the lower front part of the room.

Its not that the sound is coming and going to and from the same place; while continuing to reverberate, the sound waves traveling to the upper center portion of the room are formed, and on the side plate, the sound waves that are brought to the lower front part of the room are formed.

That’s the undeniable reason that standing waves do not exist anywhere near the speakerstands.

■ Why the four legs of the speakerstands are made with steel pipes of differing lengths (of utmost importance)

This is the speakerstands most important element.

The unusually expensive speakers had horns made from metal long ago. Thats how all of them were. Those were the days of extravagantly high costs, and when we reproduce the sound of brass instruments such as cymbals, trumpets, and saxophones, we want to create an environment in which the overtones of the reverberation of brass instruments sounds as if the cymbals and trumpets are being played right in front of you.

Thats how the role of the differently sized feet made of metal pipe on the speakerstands came to be. It’s a total breakthrough that allows the sound of the brass instruments to come alive as you play your music.

Dont forget that the bottom part of the JBL JRX215 speaker will become a large horn as soon as you take advantage of the acoustics. Sound waves pass forcefully through the inside of the horn. When you make the speakerstands legs out of steel, you can hear the metal sing, and youll be able to experience realistic brass instrument playback. And since the legs are all of differing lengths, you'll be able to hear everything from the brass instruments high-frequency sound waves to their standard harmonic components as if the instruments were played before your eyes. The lengths of the steel pipes are thoughtfully chosen. The speakerstands legs craft four types of resonance that make completely perfect brass instrument sounds. The lengths are perfect for the brass instrument sounds with four types of resonance from the speakerstands.

■ The importance of the speakers directivity

I would say that speakers should have directivity in a universal sense. Because omni-directivity translates as a sound that emits over 180 degrees, sounds that issue horizontally, straight up, and straight down are also usually included. Sound without directivity returns to a vertical or horizontal position, which produces standing waves. If you recline a speaker with directivity, which is both a driver and a horn, so that it points diagonally upward, you can minimize vertically and horizontally running sound. At the very least, the speaker won"t produce much sound that moves vertically. Speakers placed in this way can push all of the reverberation in diagonal directions and, in essence, become horn compression drivers.

The figure below shows the direction that sound travels for speakers with directivity. The figure comes courtesy of a loyal customer who designed a diagram in CAD and placed it the comments section.

The acoustics are presupposed, so we cannot recommend anything less than a genuine professional speaker equipped with a strong horn called a compression driver.

■ The speakerstands" acoustics are simple

When you cause all of the sound to disperse diagonally and eliminate the standing waves around the speaker, the pockets in the corner of the room become horns. Sound then pass along the speaker faces to lines, along the lines to points, and from point to point. This erases standing waves and provides collectively high-quality audio. Theres no longer a single listening point. The corners of the room, otherwise called the points, are what I like to call the "sound perches." A bird that stops at one of the points soars to the next point from the faces across the lines. From there, it flies on toward the next point.

The eight points, or the "sound perches," automatically fix a barrier.

Because all the audio rushes diagonally, after a few (at most within ten) echoes, the sound will converge, whether it be at the curtains, the rug, or somewhere else. The potency of the acoustics created by the speakerstands will, in the presence of only one rug or one or two curtains, be neither alive nor dead.

■ So were finally releasing the magic of the speakerstands to the public

Im going to reveal how I fine-tuned the focal point of sound. Please use this information to learn about the other-worldly power of this stand. You may be somewhat surprised by it. Actually, it wasnt the fine-tuning of the cable length, nor what is the crossover. It happened at a time when, with the cables, I was able to approximately match up the focal point. I didnt yet have the speakerstands, and even though the sound was thinner than it is from the speakerstands, I was still able to put up a boundary using a block.

■ There are two kinds of methods

When the high range was a bit strong, I put it in the location marked with red in the photo below with a ball or a piece of wood. I put the same object on the right and left side, which destroyed the high range. The larger the objects I set down, the better I could kill the high range. With that, I was actually able to fine-tune the focal point of the sound remarkably well.

With a ball it was even easier.

Because placing it inside, or in the very center of the room, dropped the high range even more than placing it in the outside area of the speakerstands, I was sometimes able to control the focal point of the audio by moving the ball around the area.

This is based entirely in truth. Try it for yourself.

It works as long as you use these acoustics, and by using the speakerstands four uniquely sized metal pipes, you can understand why the Altec Lansing metal horns reemergence makes it possible in a single shot of the speakerstands even with the JBL JRX215 speaker. Truthfully, in such a place, with the large horns opening, its a place in which youll need to have metal. It is a place in which you have to have acoustics to some degree, and to take advantage of a speakerstands that can bring forth the subtle sounds of metal.

Using the obvious method of shutting the opening of the horn to make it difficult for the high range to emerge unites the sound with its focal point.

■ One more big reason to turn the speaker on its back using the speakerstands

Actually, theres a significant weight in the front of speakers. Thats because the unit is attached to the front. But by reclining the speaker using the speakerstands, the load shifts to the back. Once again, the "point" emerges. You can say it a thousand times - the acoustics come from the magic of the speakerstands point. The "point" is the section close to the sturdiest part of the middle of the room that bears the load. The center of the room is the weakest load-bearing spot. If this area takes the weight, the floor will resonate more easily. In the space between the floor and the ceiling, sounds will begin to move back and forth. Even with the set barrier of the speakerstands, you wont get anything out of it.

The veneer board prevents this from happening, and we use concrete or stone for the dual purpose of creating the point and making it difficult for the speaker to reverberate through the floor using the physical mass of the speaker that creates the point. Whats important to understand is that the speakerstands angle slides the load to the rear, and the vibration that travels to the floor is blocked even more.

■ The speakerstands ultimate solution (the final answer in acoustics)

The acoustics that this speakerstands can realize, even when experienced from any angle, are perfect, and because it is thought to have far surpassed acoustic theory, it is what we deem the "final answer in acoustics."

■ That concludes the most important explanation of the speakerstands. I’ll add the reasoning why using wide items suppresses the vibration in the floor at a later time.

I believe this requires another illustration. But I ask only that you believe in everything about the speakerstands, and that you realize that there truly is no need to explain why wide objects work so well.

The Next Level

■ Face-off with the "living creature" of acoustics (finding the hidden secrets and the magic of the speaker stand that evokes its mysteries)

Encounter of Another Kind

You wont know how scary the acoustics really are if the speakerstands is set perfectly from the beginning. Youll just be thrown right into a space where the altitude is already so high. To catch a glimpse of the true nature of the acoustics, Ill show you the magic right here. Its not necessary to know it, but if you do, youll be able to appreciate the height of your altitude. Try it if you are curious. The scariest thing when climbing a high mountain is either encountering a storm or reaching the point right before the peak. Just below the summit is the most dangerous and frightening part. Even a gust of wind at that altitude is accompanied by unexpected fear. Some people go down to that area purposefully to face the atmospheric conditions and blizzards there.

By traveling down a little bit from the summit, you can easily gain a better understanding of what kind of place it is.

■ To watch the magic right before your eyes, youll need to set the right & left speaker symmetry slightly off to the side and above from their central point on purpose.

When speakerstands are set correctly to their central point, they are like the summit under a clear sky. By moving the speakers position and height about 3cm each from the calm, comfortable central point, the "summit", you invite the "storm" into your room.

Suddenly, youre staring into the face of the living creature of acoustics. Half of the body of the acoustics creature is within the barrier, but the other half is stuck in another dimension. The creature will struggle madly to break the barrier and escape again into another dimension, and the "storm" will entangle you.

Caution: Do not continue this for an extended period. Just catching a glimpse of it is enough. Move the stand back to its recommended position right away. Try it in the dark and walk around the room.

You should be able to perceive a stunning galaxy, a belt of the sound like the Milky Way, wandering around the room, and you may even become lost in its perplexity. Maybe its the tarrying of the sound thats so shocking. It might appear to you to be a creepy belt of sound belt thats looking for an escape to the barrier. The way it looks will be different for each person, but all will see it.

Then, for the first time, youll realize that the acoustics this speakerstands provides are embodied by the living creature, be it monster or divine being, from another dimension.

Youll simultaneously learn firsthand the power and meaning of the barrier ignited and spread by this speakerstands.

■ About Acoustics.

The study, known as Acoustic Theory, is one that mystifies us. It is also often called Acoustics. However, its likely that no one has ever heard an explanation thats perfectly clear. But the truth is simple. If acoustic study requires a book or a lecture that lasts for hours, its simply made-up. Someone who studies acoustics, yet can be taken down easily by just one punch from true acoustics, is no more skilled than a novice. Be very cautious of acoustic theory-like words such as acoustics that fool people. Most of those are misconceptions. >They will blind you with complicated explanations of acoustics on purposewhen your sound problems could be solved simply with our speakerstand by itself. We have to look in retrospect starting with real sound to understand genuine acoustics. Not surprisingly, those who do not understand true acoustics are defeated by the speakerstands.

It is as written in these ancient sayings:

"Can a blind man lead a blind man? Will they not both fall into a pit?

■speakerstands ? A selection of shocking comments

I’ve collected these speakerstands" comments in the Demon’s Gate Corner and placed them in full in three places, but I’ve decided it may be difficult to comprehend for some people.

I want to post the most astounding comments on this page. This selection of comments was lifted from speakerstands comments in one of these three places:

50 - Comments for The Final Answer for Acoustics EV (Electro-Voice), FORCE I, TOUR X, other, and general speakerstands
51 - Comments for The Final Answer for Acoustics speakerstand 2 (continued)
52 - Comments for The Final Answer for Acoustics speakerstand 3 (continued)

Below this, many costomer"s comment.

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Comments from Mr. A: I made the entire front wall of the speakerstands (sound barrier) into a speaker!

Dear Pro Cable,

As always, thank you. I finally finished creating a sound barrier with my Tour-X Cross Over, speakerstands, and 200V of power. I’ve turned the front wall into a speaker. I can clearly distinguish each instrument, and the vocals come through clearly from it. It’s the first time in my life that I have been able to hear such clean sound. I ’m truly grateful to you. I also want to thank the great people who have tried this before me. After reading the instructions multiple times on how to adjust the sound using Mac Pro, AME, and HUB, even a novice like me was able to grasp it. Whenever I get a free moment, I sit in front of my computer and indulge in reading Pro Cable’s commentaries to further my knowledge. I am considering using 5.1 multichannel in the future, but for now I will try to get started with 2-channel stereo.

I’m looking forward to learning even more from here on. Take care!

○○○○

From Pro Cable: In fact, the effectiveness of this speakerstands is beyond ordinary ? it is so unparalleled in intensity that, in anticipation of a flood of comments, I’ve got an additional three columns dedicated just to comments if you visit the Demon’s Gate Corner (click the Audio Basics & Demon’s Gate photo in this site’s upper right-hand corner).

50 - Comments for The Final Answer for Acoustics EV (Electro-Voice), FORCE I, TOUR X, other, and general speakerstands
51 - Comments for The Final Answer for Acoustics speakerstand 2 (continued)
52 - Comments for The Final Answer for Acoustics speakerstand 3 (continued)

There I have collected the expanded comments.

But for those of you who are seeing the site for the first time, it may be hard for you to find, so I thought that I might need to share a few comments about the acoustic barrier of the speakerstands here. The comment about Mr. A’s speakerstands is recent and came to us April 29, 2011.

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Comments from client B: A speakerstands that can cause culture shock!

Dear Pro Cable,

Im from ○○ in Hyogo prefecture.

Thank you for the EV TOUR X, speakerstands, Sorbothane, and everything else.

First, I tried setting the TOUR X on the barrier stand so that they would become fixed in place (I actually set the speakers on the stands without a thought due to the limited space in the room).

After working with it a bit, I tried listening to the music for the first time.

Hearing the TOUR X for the first time was just…

Amazing… what a surprise.

I actually felt like I had culture shock.

I lowered the volume of the Crown D-45 from its ordinary level of 8 to level 4.

Lowering the volume did not cause any change to the quality of sounds, but I was also able to catch more subtle sounds.

I also changed the length of the Belden 8460 from 1970mm to 1965mm.

It created a sense of perspective and reality and brought a comfortable width to the room.

The sound resolution of the sounds and depth are both satisfactory.

I felt as if I had been in a small concert hall.

"I lay down and, around me, live music appeared from nowhere."

"The components which highlight the shape of sound, the elements of real and living sound… could be the components of overtones." (from Pro Cable)

Now I can clearly catch the reverberation and subtle instrumental sounds from the TOUR X. Sound from the right and left speakers is well-balanced. Instead of growing tired, Im able to relax and enjoy the music as it flows smoothly and slowly.

I can hear the sound of the piano pedal and the twang of the guitar strings. The actual sounds of instruments like the piano, violin, guitar, and saxophone can be heard beneath the music.

Troublesome bass tones have become clear, compact, and relaxed ones.

I can hear vibrations in voices and clear pronunciation of syllables such as Shi, Su, Chi, and Tsu at the vocal part. Vocals are clear and lyrics are easy to understand. Its live music straight from your speaker. Before, I always doubted that the sound was that of a musicians voice.

I paused to realize the greatness of the TOUR X together with the speakerstands.

The most commonly sold speakerstands have only one leg. A one-legged stand cannot prevent vibration even if the stand is made of a superior material. This speakerstands has four legs, which means that both the weight of the speaker and the vibrations are dispersed to four separate parts without causing any vibration on the floor.

Furthermore, sounds are emitted outside without having to detach the speaker.

"Nothing should rest under the speaker (from Pro Cable).”

The angle and the height can be adjusted as you like. I do not know of any other speakerstands like this one.

Plus, no vibration is transferred to the floor if you have Sorbothane pads because they absorb all the vibrations.

Its like listening to music at a concert hall. Seriously.

I can say that this invention is a breakthrough.

Troublesome weights and vibrations disappeared all at once.

“Bass tones are normally absorbed into the floor. One of the most notable effects of Sorbothane is that the lower tones clearly and dynamically come out of the speaker itself as all the vibrations are absorbed into the Sorbothane.

The powerful bass tones make all sorts of tones clear and transparent, which will allow the real sounds to emerge (from Pro Cable)".

I enjoy my music by raising the volume a little bit during the day and lowering it at night. I am so happy to have an ideal audio room (I call it "My Hall").

I really appreciate all the advice from the staff.

Thank you so much.

Id love to see more in the future.

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Comments from client C:　A speakerstands that creates realistic sound even from behind!

Dear Pro Cable,

This is ○○.

Im a huge fan of your products and theory.

I have come to understand the meanings of the focal point and barrier.

They are totally different.

The difference is so big that even a person like me who is not sensitive to sound is aware of.

Theres one thing Ive realized that I want to say:

I was just checking if the barrier was properly set and found that the real sounds were coming from the backside when I was standing at the listening point.

It was as if I was in a club with live music.

Im wondering if anyone else has experienced the same thing.

In my space, the AE lines are about 25 meters, and I think I’ve pretty well been able to corner it.

I am also interested in using the Sorbothane since my room is on the second floor.

Thanks for all the help so far!

○○ from Nihonmatsu.

From Pro Cable: The barrier acoustics made by our speakerstands don’t choose the listening point. Even if you turn around, you’ll still experience the same sound quality.

What’s important to understand here is that if there’s no speakerstands behind you, there’s no speaker. Even though there’s nothing there, you’ll still hear live sound, which adds even more to the realism.

What this customer experienced is a characteristic held only by our speakerstands, and one that has reached an extraordinary level.

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Comments from Mr. F: The barrier speakerstands is a miracle with the power to make music sound better at my house than in a studio!!

Dear Pro Cable,

I can achieve such beautiful sound thanks to you!

My name is ○○.

Last week, I laid plywood underneath my Tour-X, and now I’ve attached a four-point sound barrier with blocks at the recommended height for my speakerstands.

Using a pipe and a flashlight, it took no more than fifteen minutes per barrier to get it spot-on. The hardest part was cutting the wood.

I thought the Tour-X already had amazing sound quality, but after some minor adjustments, it was like I was in another world. It was as if I had been thrown from the height of a tall mountain.

I don’t know how to explain it other than depending on the way the speakerstands’ method can change, it can shift the sound of music to a more natural tone.

It’s like the instruments and the strings are right in front of me. The singers are there, and you can see the words coming from their mouths.

Even in my house, which is just the size of six tatami mats, I understand that it’s possible to have such an experience, but each time I have it, I’m still taken aback. And I’m still making more and more improvements.

It is a little strange that the sound is quiet, but there are no sounds except the ones that I should hear. It’s clear audio. The muffled bass sound that used to come from the back of the speaker seems to have stopped on its own.

When I raise the volume, the sound rapidly comes together without getting noisy. When I watch movies, I feel like I’m in the action. The deep bass of the sound effects is splendid, but the voices are the most amazing part.

The problem is that if the single listening point from which the audio resonates deviates even just a little bit, it displaces the stereo image. But even if the stereo image isn’t visible, I can still enjoy the music. Before, when the listening point desynced, the sound would get stuck in the speaker. I think the problem is due to the strange layout of the room that includes a 0.9 m recessed alcove with a shelf on the back wall as well as a closet.

Anyway, the sound barrier was really amazing! Hearing it in a studio and at home are truly two different experiences, aren’t they?

Looking forward to more in the future!

From Pro Cable: When I was developing this speakerstands for sound barrier use, I didn’t have a speakerstands, so instead, I used a block stand to create a barrier like this customer.

Even with that setup the sound was still incredible. That’s the power of the barrier. It’s a power that will bring you into an out-of-body experience.

Anyone can make a stand out of blocks any time, and I encourage you to try it.

From Pro Cable (2): I’ve thought so many times, “Should I just forget the patent and share this speakerstands with the world?”
After all, acoustic theory is, as usual, not progressing. Accordingly, you could view it as a degeneration.

It’s as if everyone is trying to erase the truth, blinded by convoluted logic in a locked out world in which the truth is sealed, that there are the things that can and should be done in just one shot by the speakerstands.

It seems so, even though it really all can be resolved by learning how to use the speakerstands.

Nevertheless, for most people it starts by learning the power of the sound barrier first, which, I believe, is the gateway. Because it is all about the end result of the specialized speakerstands, I implore you to get to know the power of the acoustic sound barrier with a stand made from blocks.

It is this, I believe, that turns a person into an audiophile.

After all, the real problem with the speakerstands is that once you experience it, it changes everything.

2012/04/09

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Comments from client G: Astonishing sound through acoustic theory with just a simple sound barrier!

I received quite a shock when I tried setting up a simple version of the barrier by the speakers (at first, though, I was surrounded by a storm of sounds because I placed the speakers in the opposite direction, with the outward-leaning part leaning inward, without checking thoroughly). It is really amazing.

Im surprised to know I can listen to such great sound in my own room.

And what an amazing theory! I can only imagine the sound that would come out of a set of speakers and amplifiers recommended in your shop!

Unfortunately, I have no budget for those devices at the moment, but I plan to buy power strips and RCA cables little by little.

Indeed, I am fully enjoying J-POP songs and more by creating a barrier by the speaker and the amplifier.

From Pro Cable: In actuality, the real version of the speakerstands holds the exact power estimated by this customer.

It really can be a dangerous stand, and to those of you who may be introduced to it one day: be prepared. This speakerstands has the power to make you wonder, “Have I been shocked into losing my mind?” if you’re not careful.

More comments from Mr. F: Regarding whether the unbelievable description “Sound from 8000m” is true or not

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Comments from client F again again again client F comment!:

Dear Pro Cable.

My name is ○○.

I thought the expression “from 8,000m” was a metaphor, but when the sound panned, it no longer felt like a hyperbole, but an actuality.

As is written, it’s hard to understand the level of acoustic vibration if you start using this stand from the beginning.

You could just take your Tour-X all the way up to a mountain summit by helicopter to check it out, but it would give you a greater sense of fulfillment to get a guide to help you climb to the summit on foot. There is a mountain climbing map called, “The Sounds of the Osaka Shop” that will help keep you from getting lost.

The sound is so perfect that even if you lower the volume, the sound quality is painstakingly preserved. Even at 100db there is such monumental expressiveness.

Even the expressiveness at 100db is effective in this.

At night, when I’m listening to it in a tatami mat room, the sound can’t be heard in the room next to me. I listen to it at a low volume, but it still has a good, strong sound.

My sound experience has changed so much with this speakerstands.

Thanks as always!

From Pro Cable: The 8000m elevation is written in the introduction section for the speakerstands, and it’s real.

At least, its the sound at the elevation where you might feel like saying "that’s scary!" several times.

So it’s not a 3000m-high mountain. If you take an ordinary hike up to a 3000m peak, you would only think, “how scary!” maybe once when the weather conditions were bad.

There are probably a lot of people who think that with a mere speakerstands you probably can’t achieve such a result, but as this customer’s testimonial says, such a result is entirely true.

I believe even just a speakerstands, one that can turn the logical structure of the acoustics of in-room acoustics on its head, can be solid proof that even an elevation of 8000m is possible.

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Comments from 6: Awesome comment from a user that has heard the sound!

Subject: Amazing!!

Dear Pro Cable Team,

Greetings. This is ○○ from Kobe.

I received “’The ultimate solution for acoustics stand” on Friday.

I used luan plywood of 900mm x 900mm x 21mm, which I bought at a home goods store, and eighteen 300mm x 300mm x 30mm concrete boards with the white granite-tone surface lamination, which were given to me by a building material shop I personally knew.

At my home, since the baseboard at the bottom of the wall was high, the total thickness of the luan plywood and concrete plate totaled 51mm, but I didn’t have any problem setting the speakers at the appropriate angles of inclination.

It would be better for the plywood to be thinner if your baseboard is low.

I kept setting up the stands and speakers with the help of the drawing on your homepage that showed me the locations of the stands. They eventually settled down about 6cm further back as a whole due to the low ceiling after I made fine adjustments to the height of each stand by using a telescoping fishing rod.

At last, it was time for the first sound check.

Wow!!! This is… what!!!???

“Amazing!!!” is the only word I could think of (haha).

The entire room becomes surrounded by sound as if the speakers weren’t even there…

Even if you search the room for a listening point, you won’t be able to find one unless you get extremely close to the speakers.

Does this mean so-called sound barrier is set up?

This presence, the realistic sensation, the grandeur… it is too superb. It’s from a different dimension.

Lying on a couch, listening with my eyes closed, I feel as if I was laying down and listening in the center seat on the first floor of a concert hall.

I had desperately been seeking Pro Cable specs, the cutting edge F1 specs in acoustics, but for what? I recall, with some emotion, that there was a time I used 200 meters of AE cable after a long process of trial and error…

With my system fully equipped, I firmly believed I couldn’t have any better sound, but…

I soon realized that I was focusing on what accounted for only 20% of sound quality.

Now, those days are just pleasant old memories ? they don’t bother me at all anymore.

But the sound I have now would never have existed without tinkering with the 20% of the sound quality that is accounted for by all the audio equipment, sound source, power supply, and cable.

In that sense, it’s true that I haven’t cut corners pursuing the best sound to date.

In addition, I believe I was correct in daring to select silver for the stand. The color of the concrete plate of granite-tone underneath is close to that of the stand, and it goes perfectly with coal-black JRX 115. It looks great.

Thank you very much.

From Pro Cable: It’s already been expressed in the contents of this comment.

This customer has created a perfect barrier in his room.

I think this setup and this customer’s comments properly express the potential power of the final answer for acoustics. In actuality, it was difficult to express the reality of the difference between 75% and 80% just using numbers without someone providing an easy-to-understand explanation. If you just try to force the numbers on people, you won’t really be doing anything more than hoping they can feel the 80% drop through auditory sensation ? but it’s actually like transporting oneself to another dimension.

Also, I spoke with this customer on the phone and found out that granite plates, compared to the pictures I provided of the concrete plates in the product description, are closer to silver, and pretty much make the JBL JRX116 look as if it’s floating in space. However, the sound could very well be improved by using the three concrete plate method instead.

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Comments from client 7: I can not stop trembling of my body! This speakerstands made me frightened!

My speakerstands and step-down isolation transformer have arrived.

Dear Pro Cable,

Good evening.

This is ○○.

As the title suggests, I received my two products as expected with almost no wait.

Before I construct the 200v power source, which Im planning this weekend, I tried setting up the speakerstands.

Then I tried listening to it.

I was speechless…

The sound easily surpassed SACDs.

I could hear every sound without interference from standing waves.

I used to notice some kind of cloudiness in the middle and low range, but is has now disappeared. The change in the bass drum is especially remarkable.

I can hear the sounds created by the beaters on the kick drum when they hit the drum head.

I used to hear sound as if it came from the speakers, but with this speakerstands, it feels like live music is available right in front of me.

I am listening to Tannhauser played by Karajan and the Vienna Philharmonic Orchestra.

I can just see Karajan conducting the orchestra with gusto!

This is indeed a great hardware.

I am sure that Ill be even more surprised at the sound quality when the electrical work is finished this weekend and I can use the step-down isolation transformer.

Anyway, Im still shaking from this incredible sound, and I just cant stop.

Listening to the music is fantastic, isnt it?

(From Pro Cable:) This customer has reported vividly experiencing a bodily rise using just a 100V power source. I think it’s safe to say that this customer has also taken extraordinary care to choose cable and amplifier types. Plus, he has purchased step down isolation, and when he adds that in, he’s likely to reach that 8000m peak level.

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Comments from Mr. 8: Even Stacking paperbacks as the stands Sound great!

Dear Pro Cable,

My name is ○○.

I made stacking paperbacks for my Tour-X Sound Barrier speakerstands.

I had to move my speaker last week while my air conditioner was being worked on, and when it was over, before I moved it back in place, I took it as a chance to try something.

It was just a matter of stacking some paperbacks, so I didn’t intend on getting it right. I went about it lightly like, “well, it would be more effective to try than not to try.”

From the left to right corner of my room there are concrete posts that jut out about every 70cm, but I placed the speakers in between them to roughly make up for the lack of distance between the wall and the woofer (precision of just a few mm), and when I turned on the sound…

It was far better than I imagined! I understand the missing 80% of acoustics sounds was this!!!

When I listened to it, I was reminded of the sound I heard in the Osaka shop last year.

I have entered the realm of having the entire wall as a speaker.

I quickly felt the effects of the bass that were lacking before.

The speaker sits directly on the floor, so I can feel the vibrations all the way to my toes. The base and the sides are situated in the corners, so the precision isn’t perfect, but even still it’s on a better level than it’s ever been before.

The sound had become sharp, so I adjusted the focus by cutting 1.5cm off the 8470. Because of the paperback stand (lol), the opening under the speaker is narrow, so to counter the vibrations, I used stuff like concrete plates. I’d imagine if I put a stand from your company there, it would be even sharper.

The clear difference in sound between my computer and iPhone is what prompted my LAN cable purchase. I’ve realized again the importance of using the right settings.

I’m sure I’ll be needing more from you guys in the future.

Thank you very much.

2013/08/20　○○

(From Pro Cable:) It is the acoustic barrier that provides such an amazing sound with the paperback blocks in this setup.

It’s true that the paperback barrier prevents the emission of sound from below the bottom face of the speaker, and even with that you can get a complete result.

Guaranteed, the real speakerstands has even more power, but even so, I’ve been thinking lately that the acoustic barrier from the block creates a remarkable sound (10 out of 10 people agree), so it’s probably pretty good.

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Comments from Mr. 9:　Is the barrier acoustic system dark matter of space!?

Those who have already reached the answer may not be surprised, but the power of acoustic environments recommended by your shop is indeed dark energy, or dark matter.

I am afraid that none of the Nobel Prize laureates in the world could reach

the answer, but end up finding its "existence," even though they have struggled to find the answer throughout their lifetimes.

What is suggested by the setup of the barrier acoustic system and other systems for professional use seems to be a truth beyond the extent of human knowledge.

Thanks to your speakerstands, and with a small investment, we can manipulate the dark energy and make it ours.

There is no better alternative for listening to music.

I am also confident in my sound source.

You can enjoy the worlds highest-level sounds with a MacBook Pro and DA converter. Even a MacBook without anything extra would bring sound beyond expectation for beginners.

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Comments from Mr. 10: Can this even be possible?

Title: The Power and Strength of the Barrier Sound system Stand

Thanks for everything you do. I’m ○○ from Kawasaki City.

Yesterday my barrier stand, Sorbothane pads, and my Mogami headphone cable arrived. Thank you.

The other day, someone sold me my first 38cm JRX115 woofer for cheap. Now, I’ve come to fully understand what the folks at Pro Cable meant when they said you can’t call it audio unless it’s a 38cm woofer.

Since I got the woofer, I’ve followed the path others have set before me by myself by reading the “Demons Gate Corner” of your webpage. The best of everyone’s know-how gained from their trial and error is on this page, so I know that I can achieve good results with it. I truly want to say thank you.

I didn’t do crossover, but I clamp-cut an AE line, adjusting it 1.2mm, and then spliced them together (For the time being, I used paperbacks to mimic the barrier stand). I enjoyed hearing the sound get better and better.

The power of the barrier stand, the final answer in acoustics, was so amazing that it was as if everything around me was refreshed in only a moment!

After reading through the comments, I was ready to be considerably surprised, but the complete transformation left me momentarily blind and speechless…

I was like, “Is this even possible?” (lol)

I thought so even though there was a crossbeam and a column in the way of part of it, there were no concrete plates in place, and the stand sat right on top of the Sorbothane pads.

I call it a “drastic transformation” because of the incredible sound that made me doubt whether it had come from the same equipment and speakers.

Anyway, the way that the sound came out and surrounded me and the delicate way in which the reverberation disappears, I can only agree with everyone’s feedback in the comments.

I didn’t change the equipment - this amazing change is different than any type of transformation I’ve experienced before.

Honestly, it’s like all the knowledge I built up until this point was instantly solidified. My room"s sound hight has risen to over 5000m.

I’m looking forward to more cable splicing.

please look at me in a broad mind for my excitement (lol).

In few days, I’m going to send you an email about my Mogami headphone cables (I’ve got a few of thoughts on these too).

Thanks for such a great piece of equipment! I’ll write back soon.

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Pro Cable’s Closing Comments:

This is a selection of impressive comments. I think we’re pretty complete with the comments from these 10 customers.
It"s enough to be understood about the greatness of the Barrier Sound System.

I think it"s enough.

- This is the Nobel Prize quality speakerstands(Order Page)-